Literature

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2009, Vol. 1 No. 11
Post-modern art is permeated by Absurdism. The Post-World War II Absurdist movement centered on the idea that life is irrational, illogical, incongruous, and without reason (Esslin xix). The ‘Theater of the Absurd’, named by theater... Read Article »
2009, Vol. 1 No. 11
In Between Men: English Literature and Male Homosocial Desire, Eve Sedgwick proposes the idea that not only women, but also men, can travel along a social spectrum that ranges from friends to lovers. However, she argues that the male homosocial... Read Article »
2009, Vol. 1 No. 10
Janet Malcolm opens her book, The Journalist and the Murderer,[1] with a stringent criticism of journalistic practice: "Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible... Read Article »
2009, Vol. 1 No. 10
Henry Park: family man, father, son, husband, spy, traitor to his race, without race, ghost among the corporeal, in the wrong place, homeowner, homeless. Borne of nothing, self-cesarean, autochthon. Native speaker of the hyphen, begat on a plane... Read Article »
2009, Vol. 1 No. 10
In Shakespeare’s King Lear, Poor Tom—a figure of madness, poverty, and linguistic play—acts as the personification of the semi-apocalyptic state into which the social world of the play descends. Edgar first appears fully as Poor... Read Article »
2009, Vol. 1 No. 10
Hisaye Yamamoto’s double-telling stories, according to King-kok Cheung, convey “two tales in the guise of one,” one woven from the explicit words of the narrator, the other from the softened and sometimes pointedly silent characters... Read Article »

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