The idea of the Theatrum Mundi (literally the world stage) is an apt metaphor for Shakespeare’s world-view. In many of his plays, characters are shunted about the stage (of the Globe theatre) by external forces, unable to exert control over... Read Article »
Burdened by the tomes housing Joyce criticism, new texts that examine “The Dead” risk sinking into a critical vacuum. Peter J. Rabinowitz, in the idiom of reader-response criticism, labels this suction “interpretive vertigo,&rdquo... Read Article »
Baz Luhrmann’s kaleidoscopic film adaptation of Romeo And Juliet, while often leaving much to be desired from the two main actors in the way of delivery, presents a fascinating modern interpretation of the 16th century drama. David Ansen,... Read Article »
William Shakespeare wrote these lines, but his use of the mythological tradition of otherworldly appearances in his plays is anything but insubstantial. Sometimes he crafted them as a permeating presence, other times passing rather quickly, but... Read Article »
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