 Photo: Bob Broglia ND-2
The Impact of Background Stimuli on the Perception of Fear in Facial ExpressionsStephanie Kwon - Byrnes (1983) found bright colors were associated with positive emotions (e.g., happiness) and dark colors were associated with negative (e.g., sadness) emotions. Emotion is communicated through facial expressions which are a form of nonverbal communication (VandenBos... Keep Reading »
 Challenging the Gender Dichotomy in the Victorian Era: Reading Hemingway's Up in Michigan and Mansfield's Frau Brechenmacher TogetherKimberly Taylor - Sexual violence and coercion became hot topics in 2017, with endless headlines. However, these problems and issues are not new, nor are they confined to a single segment of society. Rather, they have longstanding roots within patriarchal society viewing the sexes as... Keep Reading »
 Newspaper Coverage of the Mau Mau Movement: A Constructivist ArgumentEsme Trahair - On February 14th, 1965, just one week before he was assassinated, Malcolm X delivered a speech in Detroit. He spoke about his beliefs concerning segregation and civil rights, and made a point of contextualizing the civil rights movement globally. Toward the beginning... Keep Reading »
 Native Design in Modern Fashion: The Transformations of Native American Flower BeadworkJianing Zhao - What happens to flower beadwork when its application is transformed from traditional clothing decoration, to painting on the wall, and back to embroidery on high-end fashion garments? What happens to Native women, when their bodies are lost, violated, and heal; when... Keep Reading »
 Photo: Pedro Szekely SA-2
Japan at Work in the 21st Century: An Analysis of Developing Labor Practices in Japan and Institutional Barriers to ReformGregory A. Fedorov - Devastated by an economic collapse at the end of the 20th century, Japan’s economy entered a decade long period of stagnation. Now, Japan has found stable leadership, but attempts at new economic growth have fallen through. A combination of public desire for... Keep Reading »
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