Drama  (tagged articles)

The keyword Drama is tagged in the following 9 articles.

2021, Vol. 13 No. 01
The inescapability and influence of the past becomes most discernable with homecoming. A particularly powerful sense of nostalgia concentrates in textiles, especially when these objects purposefully invoke the past. More often than not, theatre... Read Article »
2020, Vol. 12 No. 12
This paper focuses on the manifestation of an unorthodox charisma in the devil figures of John Milton’s Paradise Lost and Johann Wolfgang von Goethe’s Faust: Part One. Using the respective connotations of ‘charisma’ with... Read Article »
2017, Vol. 9 No. 04
Music functions as a source of healing in Toni Morrison’s Jazz, both to the bird who is inexplicably sad and for the broken relationship between Violet and Joe, the novel’s two main adult characters. The bird cheers up and regains its... Read Article »
2016, Vol. 8 No. 12
In 1931, Kenneth Burke challenged the idea that literature and art were merely ornamental. “All of the verbal arts,” he explained, “including literature, Drama, speech, pedagogy, and reportage, affect both social knowledge and... Read Article »
2013, Vol. 4 No. 1
This is a case study looking at how the legal system is portrayed on prime time network television crime Dramas in respect to suspect treatment, the case building process and trial length. Through content analysis, it compared the exaggerations... Read Article »
2012, Vol. 4 No. 09
By N B
William Shakespeare's King Lear begins with Lear ignoring the natural order of family inheritance by deciding to divide his kingdom amongst his three daughters before his death.. Typical of human nature, Lear is swayed by the sycophantic flattery... Read Article »
2011, Vol. 3 No. 03
Erving Goffman (June 11, 1922 – November 19, 1982) left an indelible imprint on contemporary sociological theory and research. Discourse on the intellectual roots of his Dramaturgical approach tends to position Goffman within the school of... Read Article »
2010, Vol. 2 No. 02
Theodore Spencer wrote of Shakespeare's Othello, “In presenting the character of Othello to his audience, Shakespeare emphasizes very strongly his grandeur, self-control, and nobility” (Spencer 127-28). This observation demonstrates... Read Article »
2009, Vol. 1 No. 11
Aristotle played with the idea of human life as a Drama and its role on the Greek stage in his Poetics, defining tragedy—the highest form of Drama, of art, and of life—as “a mimesis of an action that is serious, complete, and of... Read Article »

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