Articles by Jeremy S. Page

Found 10 articles
2011, Vol. 3 No. 01
An artist, especially one who works with the visual media, is bound to come across obstacles in his creation of a work that represents or recollects images of the Shoah (i.e., the Holocaust). Precisely how does one represent an almost industrial... Read Article »
2011, Vol. 3 No. 01
The divide between human and non-human, real and not-real, is a problem frequently explored in texts about toys and undead creatures. Even the term ‘undead’ is problematic, for while the undead are not ‘dead’ in the truest... Read Article »
2010, Vol. 2 No. 12
We can categorize poetic texts into three distinct types: the narrative poem, or poem that tells a story; the epic poem, or a long narrative poem on heroic subjects; and the lyric, in which a poet or speaker expresses an emotional state. (Schweibert... Read Article »
2010, Vol. 2 No. 12
Work for Review: Bernard, John. “Theatricality and Textuality: The Example of ‘Othello’.” New Literary History 26.4 ‘Philosophical Resonances’ (Autumn, 1995) 931-949. http://muse.jhu.edu/login?uri=/journals/new_literary_history... Read Article »
2010, Vol. 2 No. 12
The idea of the Theatrum Mundi (literally the world stage) is an apt metaphor for Shakespeare’s world-view. In many of his plays, characters are shunted about the stage (of the Globe theatre) by external forces, unable to exert control over... Read Article »
2010, Vol. 2 No. 12
"The 'logically ordered' society results in a loss of spirit and soul, with the absence of suffering, of twilight and mystery, of emotions and meaning. … If this ordering principle were a figure, …it would be some Clockwork Orange... Read Article »
2010, Vol. 2 No. 12
Decadent texts are a subclass of literature paradoxically characterised by both creation and decay, and are thus texts that resist a standard classification of genre. That is to say, Decadent texts are always operating with a dual purpose: the literary... Read Article »
2010, Vol. 2 No. 12
Most criticisms of Macbeth and An Horatian Ode focus on the differences between the two central figures.  Macbeth is the ‘abhorred tyrant,' the man who kills his sovereign for ‘o’erleaping’ ambition, while An Horatian... Read Article »
2010, Vol. 2 No. 11
The Phantom of the Opera was originally penned as a French serial by Gaston Leroux in 1909. It tells the story of a young man, Erik, who is born with a terrible deformity in his face. Erik is outcast by his parents, and eventually comes... Read Article »
2010, Vol. 2 No. 11
Gifted learners, although possessing higher levels of intelligence than their peers, are disadvantaged in the sense that they frequently do not, or are not given the opportunity, to reach their full potential (Farmer, 1993). Krause, Bochner and... Read Article »

Jeremy S. Page graduated in 2010 with a Bachelors degree in English from Macquarie University in Sydney, Australia.

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