In the penultimate scene of Fritz Lang’s M (1931), mentally-disturbed child murderer Hans Beckert (Peter Lorre) falls to his knees before a kangaroo court and cries out, “I have to roam the streets endlessly, always sensing that someone... Read Article »
The development of motion picture complexity has been driven by a continuing technological evolution, ignited and manipulated by human initiative and inventiveness, which has afforded filmmakers the opportunity to practice a more complex craft to... Read Article »
German cinema from 1927 to 1945 was affected drastically by the political environment that grew within the nation. After Germany suffered drastically at the hands of the Versailles treaty and its reparations clause, Adolph Hitler, the Fuhrer of... Read Article »
Film critic Andre Bazin had very strong feelings on the subject of montage and realism. In his article “The Evolution of the Language of Cinema”, he explains his theory that montage, although necessary in many cases to make a film work... Read Article »
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