Articles by Natasha L. Richter

Found 6 articles
2010, Vol. 2 No. 10
Female writers of the Eighteenth Century often focused on the role of the female imagination in novel writing, poetry composition, and as an outlet for temporarily escaping a harsh world.  In Maria, or The Wrongs of Woman, Mary Wollstonecraft... Read Article »
2010, Vol. 2 No. 02
Virginia Woolf’s To the Lighthouse follows the development of the painter, Lily Briscoe, as she strives to create a meaningful space for her artwork in an increasingly critical and unkind world.  Woolf’s stylistic devices, especially... Read Article »
2010, Vol. 2 No. 01
In William Shakespeare’s Much Ado About Nothing, all of the main characters experience and participate in some form of deceit designed to dupe another character.  However, among the societal members of Messina, Don John particularly stands... Read Article »
2010, Vol. 2 No. 01
The poems which Sylvia Plath composed in the weeks and days immediately preceding her death contain some of the most disturbing themes present in Modernist poetry. In Ariel, an anthology containing her most fervent, emotional, and troubling poetry... Read Article »
2010, Vol. 2 No. 01
In A Midsummer Night’s Dream, Shakespeare plays with the themes of love, art, imagination, and dreaming to forge an overall meaning for his work.  His play within a play, found in Act V, expands on his themes and portrays the relationship... Read Article »
2010, Vol. 2 No. 01
Elizabeth Bishop, known for her reticent poetic style, reveals the secrets of her personal life through carefully wrought metaphors.  In her villanelle, “One Art,” Bishop reveals the purpose of art and the significance of poetic... Read Article »

Natasha L. Richter graduated in 2011 with a concentration in English from University of Virginia in Charlottesville, VA.

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