http://www.inquiriesjournal.com/keyword/tragedy Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines. en-us Tue, 07 Apr 2026 13:20:21 -0400 Tue, 07 Apr 2026 13:20:21 -0400 http://www.inquiriesjournal.com/articles/1812/redemption-and-reconciliation-in-oedipus-at-colonus-and-gran-torino-a-comparative-reading By Linda Gao - This paper presents a comparative analysis of Oedipus at Colonus, a play written by the ancient Greek tragedian Sophocles, and Gran Torino, an American film directed by Clint Eastwood. The two literary productions, although remote as they seem, contain significant parallels and similarities that reveal trans-temporal themes of human life. The paper first analyzes the shared arc of narrative: both stories depict the journey of alienated, polluted sinners moving away from isolation and sin; by attaining humbleness, re-establishing social relationships, and atoning externally for their past sins,... Thu, 08 Oct 2020 07:22 EDT http://www.inquiriesjournal.com/articles/1812/redemption-and-reconciliation-in-oedipus-at-colonus-and-gran-torino-a-comparative-reading http://www.inquiriesjournal.com/articles/1641/the-psyscholinguistic-semiotics-and-metanormative-ethics-of-suicide-and-death-in-shakespeares-king-lear By Conner R. Hayes - The fascination with death and the sensationalizing of suicide are prevalent metaphysical themes which traverse all Shakespearean tragedy. These brooding themes, despite their ubiquitous portrayal, take on an idiosyncratic ethical meaning in King Lear. Though naturally nihilistic and bleak, these sentiments serve as more than mere evidence of the existential longing plaguing the psyches of many of Shakespeare’s characters. The yearning to die, and moreover, one’s ability to die, explicates the very metaethical framework and normative ethical epistemology of the play. The characters... Tue, 02 May 2017 12:30 EDT http://www.inquiriesjournal.com/articles/1641/the-psyscholinguistic-semiotics-and-metanormative-ethics-of-suicide-and-death-in-shakespeares-king-lear http://www.inquiriesjournal.com/articles/1059/tragedy-in-the-ideas-of-friedrich-nietzsche-and-oscar-wilde By N L. N - One Victorian writer whose similarities to Nietzsche continue to receive sustained attention is Oscar Wilde—even though, as is the case with most of Nietzsche’s English-speaking contemporaries, they probably never read one another (Allen, 2006, p. 386). Thomas Mann (1959) first compared Nietzsche and Wilde in an essay that aligns them as co-conspirators in the early wave of head-on assaults upon the “hypocritical morality of the middle-class Victorian age” (p. 157). As Mann observes, Nietzsche and Wilde contemplate the individual as an aesthetic project, undertaken against... Tue, 11 Aug 2015 06:18 EDT http://www.inquiriesjournal.com/articles/1059/tragedy-in-the-ideas-of-friedrich-nietzsche-and-oscar-wilde http://www.inquiriesjournal.com/articles/94/how-now-hecate-the-supernatural-in-shakespeares-tragedies By Deva Jasheway - Hamlet and Macbeth are both examples in which the supernatural element enters the play at the opening of the action. The way a theatrical production begins has a great effect on the audience’s perception of the play, and both of these plays emphasize the supernatural from the start. The witches are the first characters we see in Macbeth, already prophesying and spouting paradoxical sayings. The stormy stage and odd characters establish early that this story occurs within an eerie and unnatural place. Hamlet brings the Ghost of the dead king to the plot’s fore in the first few scenes... Thu, 17 Dec 2009 10:28 EST http://www.inquiriesjournal.com/articles/94/how-now-hecate-the-supernatural-in-shakespeares-tragedies