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    <title>'Music And Politics' - Tagged Articles - Inquiries Journal</title>
    <link>http://www.inquiriesjournal.com/keyword/music-and-politics</link>
    <description>Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines.</description>
    <language>en-us</language>
    <pubDate>Sat, 09 May 2026 04:29:12 -0400</pubDate>
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				<title>Propaganda, Patriotism, and Perseverance: How Music Became an Instrument for the US War Effort During the Second World War</title>
				<link>http://www.inquiriesjournal.com/articles/1920/propaganda-patriotism-and-perseverance-how-music-became-an-instrument-for-the-us-war-effort-during-the-second-world-war</link>
				<description>By Anastasiia  Gordeeva - This article analyzes the role of musical works in the United States during World War II. It chronologically examines how the social and therapeutic functions of music evolved due to the developments of the war. This article uses the lyrics of wartime songs as a window through which to examine changes in public opinion during the course of the war. It thus demonstrates how music influences and is influenced by exogenous changes in society, notably during times of crisis. To this end, a selection of American songs from different periods of the Second World War are analysed and their lyrics are...</description>
				<pubDate>Mon, 01 Nov 2021 11:13 EDT</pubDate>
				<guid>http://www.inquiriesjournal.com/articles/1920/propaganda-patriotism-and-perseverance-how-music-became-an-instrument-for-the-us-war-effort-during-the-second-world-war</guid>
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				<title>Press Play for Politics: The Weapon of a Eurovision Song</title>
				<link>http://www.inquiriesjournal.com/articles/1215/press-play-for-politics-the-weapon-of-a-eurovision-song</link>
				<description>By Tinatin  Japaridze - Christopher Neil, Grammy-nominated producer and my co-writer on the Icelandic entry in 2009, &amp;ldquo;Is It True?,&amp;rdquo; notes that the ESC is a piece of televised entertainment and should be regarded as such. &amp;ldquo;It was never supposed to, nor should it, reflect political or social realities. A song contest is not meant to be a barometer of tensions between nations or economies.&amp;rdquo; Tracing back to its inception in 1956, &amp;ldquo;much of Europe was still miserable, exhausted and broke from World War II, but the ESC was not meant to reflect that world.&amp;rdquo; On the contrary, the goal of its...</description>
				<pubDate>Tue, 13 Oct 2015 09:54 EDT</pubDate>
				<guid>http://www.inquiriesjournal.com/articles/1215/press-play-for-politics-the-weapon-of-a-eurovision-song</guid>
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				<title>The Sounds of Resistance: The Role of Music in South Africa&#39;s Anti-Apartheid Movement</title>
				<link>http://www.inquiriesjournal.com/articles/265/the-sounds-of-resistance-the-role-of-music-in-south-africas-anti-apartheid-movement</link>
				<description>By Michela E. Vershbow - The history of South Africa under white British rule is marked by the existence of one of the most brutal systems of racial segregation that the world has ever known. A system by the name of Apartheid, literally meaning &amp;ldquo;separateness&amp;rdquo; in the Afrikaans language, made Africans of color aliens in their homeland. The laws of Apartheid forced millions to live in impoverished townships where they were denied the most basic human rights. Apartheid, under which the white minority held power over the entire population, was met with strong internal and external resistance, prompting global boycotts...</description>
				<pubDate>Wed, 30 Jun 2010 07:05 EDT</pubDate>
				<guid>http://www.inquiriesjournal.com/articles/265/the-sounds-of-resistance-the-role-of-music-in-south-africas-anti-apartheid-movement</guid>
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