http://www.inquiriesjournal.com/keyword/mary-shelley Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines. en-us Wed, 29 Apr 2026 23:34:56 -0400 Wed, 29 Apr 2026 23:34:56 -0400 http://www.inquiriesjournal.com/articles/1553/sex-and-sexual-violence-in-mary-shelleys-frankenstein By Rachel Chung - Told through the framed account of a Captain Walton, who encounters Frankenstein in pursuit of his monster across the frozen northern sea, Frankenstein begins with a brief account of his picturesque childhood. Frankenstein begins his great experiment at university in Ingolstadt, where he brings his horrifying creature to life. A year after panicking and abandoning the monster, Frankenstein learns that his brother, William, has been murdered. Frankenstein’s conviction that his monster is the murderer is confirmed when he encounters the creature in the mountains outside of Geneva. In another... Thu, 09 Mar 2017 09:26 EST http://www.inquiriesjournal.com/articles/1553/sex-and-sexual-violence-in-mary-shelleys-frankenstein http://www.inquiriesjournal.com/articles/301/female-writers-in-the-18th-century-the-power-of-imagination By Natasha L. Richter - Female writers of the Eighteenth Century often focused on the role of the female imagination in novel writing, poetry composition, and as an outlet for temporarily escaping a harsh world.  In Maria, or The Wrongs of Woman, Mary Wollstonecraft focused mostly on the latter notion, the ability of a woman to employ her imagination in transcending the physical prison of an insane asylum, as well as the metaphorical prisons of a tyrannical marriage and an oppressive world.  Meanwhile, Anna Letitia Barbauld emphasized the artwork which the female imagination can fashion in her poem “Washing... Fri, 15 Oct 2010 11:10 EDT http://www.inquiriesjournal.com/articles/301/female-writers-in-the-18th-century-the-power-of-imagination http://www.inquiriesjournal.com/articles/247/vampires-the-ever-changing-face-of-fear By Tori E. Godfree - In the past two-hundred or so years, vampires have transformed from a sort of worst nightmare into the charming hero of our dreams. Flashback to 1734, Oxford English Dictionary’s first record of the word vampire: they were generally and, depending on geographical location, inconsistently thought to be red-faced, fat on blood, furry of foot, and may or may not have possessed more than one nostril. Fast-forward to present: their impossibly pale, perfectly sculpted faces and delicate fangs adorn best-selling book covers and box-office hit movie posters. This is quite the makeover, and these... Fri, 07 May 2010 07:05 EDT http://www.inquiriesjournal.com/articles/247/vampires-the-ever-changing-face-of-fear http://www.inquiriesjournal.com/articles/139/women-as-the-submissive-sex-in-mary-shelleys-frankenstein By Stephanie S. Haddad - ... Tue, 26 Jan 2010 09:51 EST http://www.inquiriesjournal.com/articles/139/women-as-the-submissive-sex-in-mary-shelleys-frankenstein http://www.inquiriesjournal.com/articles/119/perceptions-of-heroes-and-villains-in-european-literature By Katherine Blakeney - It is tempting to classify literary, cinematic, and historical characters into groups. The trouble, of course, is that such labels can be misleading at best, and severely subjective and variable. When using terms such as hero, villain, anti-hero, anti-villain, or adventurer, it is important to remember how vague and movable the borders really are, and to ask why a certain label is or should be placed on a specific character. It is never enough to simply classify a character or a person. One must take into consideration what the creator of this character had in mind, what circumstances affected... Tue, 12 Jan 2010 09:41 EST http://www.inquiriesjournal.com/articles/119/perceptions-of-heroes-and-villains-in-european-literature