http://www.inquiriesjournal.com/keyword/gaze Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines. en-us Sun, 16 Aug 2026 23:55:13 -0400 Sun, 16 Aug 2026 23:55:13 -0400 http://www.inquiriesjournal.com/articles/1955/look-me-in-the-eyes-witkacys-portrait-gaze-as-a-critique-and-anticipation-of-culture-industry By Natalia Stanusch - This paper analyzes the construction of ‘portrait gaze’ as a visual device that orients, manipulates, and challenges the gaze of the viewer of Witkacy’s portraits. Witkacy (1885-1939), often compared to Marcel Duchamp, was one of the most controversial and complex figures of 20th-century Polish art. This paper focuses on one of the least explored and convoluted phases of Witkacy’s career, especially in international literature, namely the portraiture he made starting in 1925. In that year, Witkacy set up the S. I. Witkiewicz Portrait Firm, where he whimsically took on the... Fri, 06 May 2022 10:38 EDT http://www.inquiriesjournal.com/articles/1955/look-me-in-the-eyes-witkacys-portrait-gaze-as-a-critique-and-anticipation-of-culture-industry http://www.inquiriesjournal.com/articles/1857/hans-bellmers-dolls-and-the-subversion-of-the-female-gaze By Hannah J. Wetzel - Hans Bellmer’s Die Puppe (The Doll) photographic series is perhaps one of the most bizarre works to come out of the surrealist group in the early-to-mid twentieth century. Of every peculiar aspect of the photographs, perhaps the most striking is his treatment of vision. Bellmer always poses his dolls, which he disassembles and reassembles into various unnatural shape, so they face away from his camera. Sometimes, he removes their eyes altogether. Bellmer himself wrote extensively about his doll, which was also featured in the surrealist magazine Minotaure. Many of the themes his doll project... Tue, 05 Jan 2021 03:35 EST http://www.inquiriesjournal.com/articles/1857/hans-bellmers-dolls-and-the-subversion-of-the-female-gaze http://www.inquiriesjournal.com/articles/1442/a-contemporary-analysis-of-action-films-with-female-leads By Myranda A. Dapolito - A doorbell rings. Off screen, we hear a sing-songy “Coming!” A woman dressed in a cerulean track suit rushes to the door, expecting to find her daughter home from school. Instead, she finds another woman, blonde and leather jacket-clad. With one startling punch, the blonde woman simultaneously initiates a fight and inserts herself into the home. The two women proceed to destroy the living room of the house: shoving each other into framed pictures, propelling into tables, throwing shelves of painted china, becoming more and more bloodied by the second. The fight reaches a standstill... Wed, 07 Sep 2016 08:26 EDT http://www.inquiriesjournal.com/articles/1442/a-contemporary-analysis-of-action-films-with-female-leads http://www.inquiriesjournal.com/articles/933/man-as-image-clark-gable-james-dean-and-the-audience-that-looked-at-them By Anna J. Varadi - In her seminal essay "Visual Pleasure and Narrative Cinema" Laura Mulvey (1975) connects psychoanalytic concepts of scopophilic desire1 and Jaques Lacan's theory of the Mirror Stage2 (1966), to the cinema spectator's gaze. Mulvey limits her argument to the "active/male" gaze looking at a "passive/female" figure (p. 11), however, several critics note that "her remarks [can] apply … to images of men" (Neale, 1983, p. 4; Hansen, 1986; Koch, 1985). Following this line of thought, I use Mulvey's  ideas, particularly her linking of the Mirror Stage with processes of identification, to discuss... Thu, 30 Oct 2014 01:47 EDT http://www.inquiriesjournal.com/articles/933/man-as-image-clark-gable-james-dean-and-the-audience-that-looked-at-them