http://www.inquiriesjournal.com/keyword/film-criticism Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines. en-us Mon, 27 Jul 2026 18:36:33 -0400 Mon, 27 Jul 2026 18:36:33 -0400 http://www.inquiriesjournal.com/articles/1883/the-fleeting-nature-of-techno-horror-kairos-failure-to-appeal-to-gen-z By Wooju Chong - Techno-horror is a sub-genre of horror defined by the use of science or technology as the source of horror, and often, this genre is used to critique modern technology. However, due to the intertwined nature between techno-horror and contemporary technology, when that technology becomes obsolete, so does the horror presented in the film. In this paper, first, I will separate the relative concepts of “horrifying,” where a film’s horror exists solely in the world of the narrative, and “terrifying,” where a film’s horror can extend beyond the film and into the... Wed, 03 Mar 2021 04:35 EST http://www.inquiriesjournal.com/articles/1883/the-fleeting-nature-of-techno-horror-kairos-failure-to-appeal-to-gen-z http://www.inquiriesjournal.com/articles/1814/recycled-tropes-and-the-persistence-of-islamophobia-in-american-films By Meagen Tajalle - In this essay, I provide a content analysis of commercially and critically successful films that perpetuate popularized Islamophobia, which is often masked as irreconcilable religious and cultural difference although it has in fact been consistently manufactured and weaponized throughout history in order to further Western empirical interests. Recycled tropes and stereotypes in cinematic depictions can be traced back to historical orientalism and political Islamophobia, both of which were instrumental in garnering support for the War on Terror. Specifically, I examine the racial, religious, and... Sat, 10 Oct 2020 08:43 EDT http://www.inquiriesjournal.com/articles/1814/recycled-tropes-and-the-persistence-of-islamophobia-in-american-films http://www.inquiriesjournal.com/articles/267/ending-the-exceptional-defiance-of-conventions-in-dennis-hoppers-easy-rider By Daniel J. Schneider - This overarching assumption is more difficult to find in later Westerns; films like John Ford’s The Searchers, while not overtly condemning the actions of its mysterious protagonist, are certainly not exactly ecstatic about the Western White Man; both in his attempts to control a land and an indigenous people who never seemed to want him there in the first place.. In fact, that old teleological ethic - which kept America strong through a civil war, two world wars and two centuries of expansion - was beginning to erode. In 1969, after years of protests against institutional racism, the Vietnam... Tue, 06 Jul 2010 07:05 EDT http://www.inquiriesjournal.com/articles/267/ending-the-exceptional-defiance-of-conventions-in-dennis-hoppers-easy-rider