http://www.inquiriesjournal.com/keyword/classics Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines. en-us Sat, 13 Jun 2026 16:05:33 -0400 Sat, 13 Jun 2026 16:05:33 -0400 http://www.inquiriesjournal.com/articles/1882/penelope-helen-and-the-ancient-greek-spectrum-of-femininity-observations-of-womanhood-in-the-homeric-epics By Jenn Beardsley - Although most Ancient Greek literature focused on male characters, a literary analysis of Homeric poetry reveals an inquisition of femininity, motherhood, and what it meant to be a woman in Ancient Greece. Throughout the epic The Iliad and its sequel The Odyssey, the Homeric poets created a spectrum of ideal versus unideal femininity, with notorious Helen on one end and faithful Penelope on the other. Dissection of each epic unveils an exploration into this spectrum of femininity through the use of motifs, or the repetition of a theme throughout a narrative. Specifically, the poets utilized the... Fri, 26 Feb 2021 02:40 EST http://www.inquiriesjournal.com/articles/1882/penelope-helen-and-the-ancient-greek-spectrum-of-femininity-observations-of-womanhood-in-the-homeric-epics http://www.inquiriesjournal.com/articles/1866/material-nostalgia-in-classical-and-early-modern-drama By Marnie J. Monogue - The inescapability and influence of the past becomes most discernable with homecoming. A particularly powerful sense of nostalgia concentrates in textiles, especially when these objects purposefully invoke the past. More often than not, theatre uses textile props and clothing as the primary representative medium, enhancing storytelling capacity. These symbolic fabrics and costumes can best be characterized as Shakespeare’s “trappings and suits of woe,” as they function as both physical and psychological traps, but also allow for outward expression of “that within which... Thu, 21 Jan 2021 11:38 EST http://www.inquiriesjournal.com/articles/1866/material-nostalgia-in-classical-and-early-modern-drama http://www.inquiriesjournal.com/articles/1825/exploring-the-concept-of-time-using-metaphor-in-the-aeneid By Ziyang N. Su - Time has always been an abstract concept in human languages. To better understand how this temporal concept is addressed in different languages, it can be explored in the context of classical times through Latin texts. In the well-known piece The Aeneid, the author Virgil constantly refers to the concept of time in an overlapping timeline and we can interpret the intertwined timeline through figuration, substitution and action. This use of metaphors to visualize the abstract temporal concept is evident in classical Latin literature and thus can be expanded to the Latin context and even modern... Wed, 21 Oct 2020 07:51 EDT http://www.inquiriesjournal.com/articles/1825/exploring-the-concept-of-time-using-metaphor-in-the-aeneid http://www.inquiriesjournal.com/articles/1545/a-16th-century-ovid-the-influence-of-classical-mythology-on-the-understanding-of-shakespeares-plays By Emily Gray - Commonly believed to be the single greatest writer and poet of the English language, as well as one of the most distinguished and esteemed dramatists in the entire world, William Shakespeare is credited with authoring approximately 38 works of theatre, 154 sonnets, two lengthy narrative poems, and several additional pieces of verse. While there exists some question concerning the authenticity of authorship of several of these dramatic works, scholars have determined that 32 of the 38 plays can unquestionably be attributed to Shakespeare (Root 119-132). With the majority of the writing of his known... Mon, 27 Feb 2017 05:47 EST http://www.inquiriesjournal.com/articles/1545/a-16th-century-ovid-the-influence-of-classical-mythology-on-the-understanding-of-shakespeares-plays http://www.inquiriesjournal.com/articles/1015/the-many-faces-of-odysseus-in-classical-literature By Hayley E. Tartell - Throughout classical literature, the different depictions of Odysseus range widely: he is variably portrayed as a hero in Homer’s The Odyssey, a villain in Sophocles’ Philoctetes, a self-serving opportunist in Sophocles’ Ajax, a deceitful figure in Virgil’s Aeneid, and a scoundrel in Euripedes’ Hecuba. In The Odyssey, though stubborn and boastful, Odysseus otherwise exhibits courage, cunning, sharp intellect and concern for his men -– all traits that characterize the archetypal hero. In Philoctetes, Odysseus is deceitful and conniving, as he abandons morality... Wed, 18 Mar 2015 04:11 EDT http://www.inquiriesjournal.com/articles/1015/the-many-faces-of-odysseus-in-classical-literature http://www.inquiriesjournal.com/articles/841/mythology-and-astronomy-as-manifestations-of-ancient-greek-culture By Paul Hay - However, it is imperative to remember the human element in both of these pursuits. Stories do not exist without storytellers, and astronomy cannot be studied without astronomers to do it. No matter how much evidence exists showing that the Trojan War really happened, still it is Homer who made the myth what it is today. Similarly, even if a cluster of stars looks exactly like a horse, it takes an astronomer to give it the name Pegasus. Both mythology and astronomy are thus profoundly affected by the cultures of which the mythmakers and the astronomers were a part. The Greek hero Perseus provides... Thu, 19 Dec 2013 04:54 EST http://www.inquiriesjournal.com/articles/841/mythology-and-astronomy-as-manifestations-of-ancient-greek-culture http://www.inquiriesjournal.com/articles/392/the-effect-of-troys-rebirth-on-aeneass-transformation-in-the-aeneid By Sujay Kulshrestha - In the Aeneid, Virgil depicts the struggle of the newly displaced Trojans to find a new home, under the leadership of Aeneas. The Trojans, having only recently lost the Trojan War to the Greeks, travel in search of a new home, eventually settling in Italy−to the dismay of some of the Italians. The motif of Troy’s rebirth plays a major role in the Aeneid in that it is intertwined with Aeneas’s personal destiny; the two domains are so intertwined that Aeneas both prevents his own happiness and alters his own personality to successfully create a new Troy. Over the course of the... Fri, 18 Feb 2011 09:34 EST http://www.inquiriesjournal.com/articles/392/the-effect-of-troys-rebirth-on-aeneass-transformation-in-the-aeneid http://www.inquiriesjournal.com/articles/384/the-relationship-between-gods-and-humans-in-aias-and-the-poetry-of-sapphos By Sujay Kulshrestha - Reading Greek plays provides valuable insight into the relationships between gods and humans. While both gods and humans have fairly similar personalities Greek gods have a certain amount of power that, given motivation from an arrogant mortal, they are all too willing to manipulate for their own entertainment without regard to the consequences for others. In Aias, Sophocles begins by telling the story of Ajax some time after the events in Homer’s Iliad. Over the course of the play, Sophocles relates that Ajax feels slighted, because he was not awarded the now-deceased Achilles’s armor... Wed, 09 Feb 2011 09:14 EST http://www.inquiriesjournal.com/articles/384/the-relationship-between-gods-and-humans-in-aias-and-the-poetry-of-sapphos http://www.inquiriesjournal.com/articles/105/ovids-metamorphoses-and-the-plays-of-shakespeare By Katherine Blakeney - Publius Ovidius Naso (43 B.C – 17 A.D.), a Roman aristocrat and poet, wrote a collection of poems based on Greek and Roman mythology. Ovid called it “Metamorphoses” as he selected myths that dealt with the transformation of people, gods, and heroes into forces or features of nature. Metamorphoses became one of the most popular and influential literary works in the history of European civilization. Shakespeare must have read Ovid in Latin, as Metamorphoses was part of his school program. There is also a Latin copy of Metamorphoses with Shakespeare’s signature on it, but... Thu, 31 Dec 2009 09:35 EST http://www.inquiriesjournal.com/articles/105/ovids-metamorphoses-and-the-plays-of-shakespeare http://www.inquiriesjournal.com/articles/71/confrontation-with-death-illuminates-deaths-mystery-in-the-odyssey By Lindsay D. Clark - Even in fairy tales and fantastical legends, the trespassing of the breathing upon the domain of the spirits is rare. It is a disturbing idea; when the dead visit our world, we can at least find comfort in numbers. Yet the hero Odysseus braves the unknown and looks into the eyes of death. And as ghostly whispers blow across the hair on his arms we expect him to return traumatized, changed, darkly enlightened—but no. He emerges a little puffy-eyed, but very much himself. Several times Odysseus seems close to discovering some deathly mystery, brushing the stardust off some universally kept... Sat, 28 Nov 2009 11:49 EST http://www.inquiriesjournal.com/articles/71/confrontation-with-death-illuminates-deaths-mystery-in-the-odyssey http://www.inquiriesjournal.com/articles/62/the-emobidment-of-human-tragedy-in-the-illiad By Lindsay D. Clark - Why raise the curtain on this 45 day by 45 night saga? In a story whose ending everybody knows already, why choose these actions of these characters to expound upon? The Iliad is not a war tale one might tell in which friends love friends, who in conjunction hate enemies, and all fight quite openly for comrades, for righteousness, and for glory—for here wherein lies a single truth? Or a story worth telling? The Iliad instead is a story of confusion, of vagueness, of mixed messages and muddled motivations. And it achieves its primary meaning not through fearless Achilles or great Hector... Mon, 23 Nov 2009 09:41 EST http://www.inquiriesjournal.com/articles/62/the-emobidment-of-human-tragedy-in-the-illiad