<?xml version="1.0" ?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
  <channel>
    <title>'Casting' - Tagged Articles - Inquiries Journal</title>
    <link>http://www.inquiriesjournal.com/keyword/casting</link>
    <description>Inquiries Journal provides undergraduate and graduate students around the world a platform for the wide dissemination of academic work over a range of core disciplines.</description>
    <language>en-us</language>
    <pubDate>Thu, 04 Jun 2026 17:36:09 -0400</pubDate>
    <lastBuildDate>Thu, 04 Jun 2026 17:36:09 -0400</lastBuildDate>
	
			<item>
				<title>Come, Sir Boy: Subverting Masculinity Through Cross-Gender Performance</title>
				<link>http://www.inquiriesjournal.com/articles/1710/come-sir-boy-subverting-masculinity-through-cross-gender-performance</link>
				<description>By Rachel  Chung - I was the wounded soldier in the opening scene of Macbeth, lying spread-eagled on the stage, flaunting my unsightly gashes. I closed my legs self-consciously. Even portraying a hyper-masculine character, I found myself subject to the parameters of feminine performance. Later in the same production, I gave what was, for high school, a raunchy and riotous performance as the Porter. I referenced what would be my male genitalia, indicating what would be a beer belly, leaning heavily into the masculinity of the scene. I found the humor not just in the words themselves, but in the fact that they were...</description>
				<pubDate>Thu, 30 Nov 2017 10:49 EST</pubDate>
				<guid>http://www.inquiriesjournal.com/articles/1710/come-sir-boy-subverting-masculinity-through-cross-gender-performance</guid>
			</item>
			<item>
				<title>In Treatment: The Casting and Bracketing of Repulsion in &quot;The Sopranos&quot;</title>
				<link>http://www.inquiriesjournal.com/articles/751/in-treatment-the-casting-and-bracketing-of-repulsion-in-the-sopranos</link>
				<description>By Simonetta  Menossi - The Sopranos (1999-2007) opens with its lead character, Tony Soprano (James Gandolfini), unenthusiastically meeting his therapist, Dr. Jennifer Melfi (Lorrain Bracco) for the first time. He is reluctant to trust a female analyst; nevertheless, he begins a confessional narrative that reveals the extent to which the Mafia boss is willing to tell selected portions of his own personal history, but fails to understand fully their meaning and how they refer back to whom he is. Despite his resistance, the scene conveys the extent to which the Mafia boss does not fully realize and understand his own personal...</description>
				<pubDate>Thu, 29 Aug 2013 09:28 EDT</pubDate>
				<guid>http://www.inquiriesjournal.com/articles/751/in-treatment-the-casting-and-bracketing-of-repulsion-in-the-sopranos</guid>
			</item>
	</channel>
</rss>
